西藏布质唐卡佛牌吊坠（收于2021年）唐卡，是富有藏族文化特色的一个画种。内容繁多，既有多姿多态的佛像，也有反映藏族历史和民族风情的画面。《西藏历史文化大辞典》：“流行于藏区的一种宗教卷轴画，通常绘于布帛与丝绢之上，是西藏地方绘画的主要形式之一”。
此唐卡，长5cm、宽4cm、厚7mm，重42k。正面图像颜料鲜艳独特，以各类天然颜料为母色，金、木、水、火、土、石、骨、花 、草9大支，调出32中支进而变化出158小支诸种色相，采用散点透视的手法，结合了汉式山水和藏式工笔的优点，使黄财神图像及整个画面显得更为丰富、深遂而神秘。背面银色，十相自在纹饰。边框及侧面都刻有不同花纹。
唐卡现已悄然从西藏走出，进入了寻常百姓家、进入了世界各地不同种族信仰、不同语言文化的各民族家中，成了人类大家庭共同喜爱的世界文化艺术珍品。 Thangka is a kind of painting with Tibetan cultural characteristics. There are various contents, ranging from colorful Buddha statues to pictures reflecting Tibetan history and ethnic customs. A Dictionary of Tibetan History and Culture: "A religious scroll painting popular in Tibetan areas, usually painted on cloth and silk, is one of the main forms of Tibetan local painting".
This Thangka is 5cm long, 4cm wide, 7mm thick and weighs 42k. The front image pigments are bright and unique, with all kinds of natural pigments as mother colors, including 9 branches of gold, wood, water, fire, earth, stone, bone, flower and grass. The 32 branches are transferred out and then 158 branches of various hues are changed. The scattered perspective technique, which combines the advantages of Chinese landscape and Tibetan meticulous painting, makes the image of Huang Caishen and the whole picture more abundant, profound and mysterious. On the back, silver, with a cross pattern. Different patterns are engraved on the border and side.
Thangka has quietly stepped out of Tibet, entered the homes of ordinary people, entered the homes of all ethnic groups with different ethnic beliefs and languages and cultures around the world, and became a world cultural and artistic treasure that the human family loves together.
